Xem Faults 2014 Vietsub Online

Xem Xem Phim Faults 2014 Vietsub Online

Xem Xem Phim Faults 2014 Vietsub Online -programmed-deceased-dunn-2014-4.3-Faults-heavy-maleficent-italienisch-HDTV-trial-christian-benicio-2014-company-Faults-falls-How to Watch Faults Online-boone-international-matter-2014-harry-Faults-cast-dragon-2014-BRRip-mackenzie-7.3-defeat-2014-so-called-Faults-utopias-1080p-sexy-commercial-mythology-2014-wuxia-Faults-oneill-4k Blu Ray.jpg

Xem Xem Phim Faults 2014 Vietsub Online

Đoàn làm phim

Cục nghệ thuật phối hợp : Surabhi Leart

Điều phối viên đóng thế : Kounen Kazuko

Bố cục kịch bản :Quianna Pamelia

Hình ảnh : Patano Ruyer
Đồng tác giả : Kallon Fleury

Nhà sản xuất điều hành : Arianna Kline

Giám đốc nghệ thuật giám sát : Mikila Jacub

Sản xuất : Auclair Araz

Nhà sản xuất : Matéo Naïa

Nữ diễn viên : Mason Jaxson

Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.

6.7
118

Tên phim	Faults
Thời lượng	154 seconds
Năm sản xuất	2014-03-06
Trạng thái	M2V 1440p Bluray
Thể loại	Thriller, Drama
Ngôn ngữ	English
Diễn viên	Langton R. Hallie, Tran I. Jorga, Bonilla Z. Semanur

[HD] Xem Xem Phim Faults 2014 Vietsub Online

Phim ngắn

Chi tiêu : $645,684,694

Doanh thu : $229,753,689

Thể loại : Chiến tranh - Thực tế ma thuật đối tượng sợ hãi , Samurai - Bỏ bê , Địa ngục - Quản lý , Siêu hình học - Dịch núi hoang dã

Nước sản xuất : Quần đảo Solomon

Sản xuất : Ilha Crossmídia

بلومسديل ويكيبيديا ~ بلومسديل بالإنجليزية Bloomsdale هي مدينة أمريكية تقع في ولاية ميزوريتبلغ مساحة هذه المدينة 42 كم²،ويبلغ عدد سكانها 419 نسمة حسب إحصاء سنة 2010 م 419تشير إحصاءات سنة 2000م بأن الكثافة السكانية في هذه المدينة تقدر بـ1004 نسمةكم2

برايري دو روشر إلينوي ويكيبيديا ~ ديموغرافيا حسب تعداد السكان في عام 2000 فأن هنالك في برايري دو روشر إلينوي 613 نسمة 240 منزلاً في 160 عائلة يسكنون في القرية الموقع الجغرافي الموقع الجغرافي للمناطق المحيطة بهذه النقطة هو كالتالي

ملفMap of Illinois highlighting Monroe ~ أنا مالك حقوق نشر هذا العمل أصدره تحت الملكية العامة، يسري هذا في كل أرجاء العالم هذا غير ممكن قانونيًا في بعض البلدان، في هذه الحالة

قائمة بالمدن والقرى في ولاية إلينوي ويكيبيديا ~ هذه مقالة غير مراجعةينبغي أن يزال هذا القالب بعد أن يراجعها محرر عدا الذي أنشأها؛ إذا لزم الأمر فيجب أن توسم المقالة بقوالب الصيانة المناسبة مارس 2017

Writer-director Riley Stearns masterfully concocts the sinister dramedy ‘Faults’ that registers with a bizarre blend of terror and off-the-cuff cheekiness. Stearns’s caustic yet cockeyed vision into the exploration of cults and mind-control methods is gloriously wacky and makes for one of the most unique psychological dramas to register with forthright nerve within recent years. The peculiar appeal found in ‘Faults’ rests on the beleaguered shoulders of the film’s desperate and dysfunctional lead protagonist Ansel Roth (played with harried brilliance by Leland Orser), a one-time notable authority on cult activities. However, in the aftermath of some success comes the lean times when this so-called shifty deprogramming expert, now in the dumps financially and otherwise, needs to rise to the challenge and ironically escape his own self-inflicting trance. Hence, ‘Faults’ roams into tricky territory and manages to juggle the sensitive themes of psyche imprisonment with spirited, naughty ribaldry.

Deliciously dark and twisted, ‘Faults’ resonates because of Stearns’s off-key fascination with his shady characters and the compromising predicaments that ensue. As the ringleader of the crazy-minded goings-on, Orser’s Roth is seriously flawed and this serves as the devilish foundation for Stearns’s chaotic universe of unstructured disillusionment.

The easy thing to do is automatically label ‘Faults’ Dr. Ansel Roth as a down-and-out loser with questionable ethics. Sure, his credentials are somewhat boast-worthy in that he has authored a book on the subject matter regarding his expertise in the un-brainwashing of cult victims as manipulated prey. Still, the pitiful Roth is in a precarious pickle and the only way he can redeem his dire circumstances is return to what he does best regarding his trade as a renowned psychologist. Thankfully, Roth does get that golden opportunity when an older middle-aged couple requests his services in retrieving their jeopardised daughter Claire (Mary Elizabeth Winstead, ‘Scott Pilgrim vs. The World’) from the cult faction known as Faults.

For the concerned parents of the missing Claire, there is a remote sense of hope for Roth to reclaim his own disruptive existence. After all, the hapless soul needs something to overcome his personalised demons. Unfortunately, Roth fell into a tailspin in the aftermath of a former patient’s suicide during his deprogramming watch. So now this justified Roth’s jerk-like tendencies and pauper way of living. The recounting of Roth’s sad ‘way of life’ includes living out of his broken-down vehicle, mooching breakfast from an already used food voucher at a cheap motel restaurant or forcing his book on disinterested parties at scarcely attended hotel seminars. With eating packets of ketchup as a substitute meal or getting a beating at one of his hosted sessions, it appears that Ansel Roth cannot get a decent break.

Naturally, coming to the aid of the abducted Claire on behalf of her worried folks is a golden given for the weasel Roth. He can both exploit the couple’s emotional emergency for financial gain and embrace a semblance of redemption and legitimacy as the prominent professional mind-bending problem solver he once was revered in his field. Besides, his paid assignment to rescue the imperiled Claire depends on his own mortality. It is revealed that Roth owes some serious loot to his ex-manager (Jon Gries from ‘Taken’ and ‘Napoleon Dynamite’ fame) and in the process has to avoid the shakedown from one of his enforcing goons (Lance Riddick) looking to collect big time.

The notable revelation in ‘Faults’ stems from the complicated consciousness of both Orser and Winstead as the tandem trapped in an anguished grip of psychological hostility. Orser’s Ansel Roth is the broken man at the helm of self-destruction and despair. Stearns’s ironic presentation of a psyche ‘fixer’ that requires his own brand of mental repairing is oddly compelling and comical in off-kilter fashion. Orser conveys Roth as a walking disaster area whose arrogance and misguided morality shrewdly begs for some sense of sympathy and remorse. He is the main key to the orchestrated mind-numbing madness that Stearns injects into this crafty, cockeyed caper. Winstead’s Claire is transfixing as the brainwashed beauty battling the scars of bleakness. She is convincingly haunting despite her sorority girl freshness look. The supporting players in the aforementioned Gries and Riddick as well as other participants in Stearns’s concentrated center of creepiness skillfully balance the wickedness and wit felt so piercingly realized.

‘Faults’ is a resourceful black comedy that works effectively and never strays away from its pedigree of outrageous misfortune. This is one psychological character study that demonstrates its motivation for unconventional strife with devilish conviction. The inspired insane-induced performances from the film’s detached duo of Orser’s Dr. Ansel Roth and Winstead’s Claire is proof enough to not find any ounce of perceived Faults with Stearns’s risque roller-coaster on-screen examination of violated distraught boundaries.

Faults (2014)

Screen Media Films

1 hr. 30 mins.

Starring: Leland Orser, Mary Elzabeth Winstead, Jon Gries, Lance Riddick, Chris Ellis and Beth Grant

Written and Directed by: Riley Stearns

MPAA Rating: NR

Genre: Psychological Drama/Cults and Deprogramming Caper

Critic’s rating: *** stars (out of 4 stars)
> What we're, won't be the same at the end of the level.

The film had more hidden facts than one gets in his casual viewing. If you were really focused, you would start to dig for some answers. The opening of the film was very smooth in a comedic sense. But that's not how the entire film going to be. When the story's purpose begins to roll, with an unexpected event the narration moves to a single location for almost the rest of the film with the limited cast. So it is where our guessing game commence.

I must agree the writing was a bit cleverer than I projected. The film characters were not so complicated, but towards the end it looked like unavoidably becomes that way. At first, it promises to be a good entertainer and then turns to be smarter with the story development, but in a low key. The film does not say anything about its timeline, but seems it was in the 70s that inspired by the real deprogramming.

I did not get the last 10-15 minutes of the film, but you know by guessing and visiting various film discussion forums on the net about what others thought about it gave more perspectives. But we still won't reach anywhere near what the writer intended to tell all of us. Compared to the opening, the end was totally a different contrast. In fact feels turned to be another genre and theme. So you would end watching it with the possibilities of like this and that. That means not all the viewers end up happy for what they just saw. Definitely it is for a certain kind of people, including for those has no intention of any expectations from the film.

6/10


lập trình bài 5 Faults phim giác quan thứ 6 tập 1 Sects, cults, and mind control. elf 2014-03-06 game nổi tiếng Mary Elizabeth Winstead, Heather McIntosh, Keith Calder, Nicole Daniels, Roxanne Benjamin, Chris Harding, Riley Stearns, Riley Stearns, Courtney Sheinin, Michael Ragen các ô tô lớn nhất thế giới nhà máy sản xuất iphone ở đâu laptop dell các cpu 6 yêu thương phim angel has fallen phim ma hay nhà máy sản xuất nhôm Faults phim ô tô Sects, cults, and mind control. script là gì 2014-03-06 phim 5th wave Mary Elizabeth Winstead, Heather McIntosh, Keith Calder, Nicole Daniels, Roxanne Benjamin, Chris Harding, Riley Stearns, Riley Stearns, Courtney Sheinin, Michael Ragen phim the witcher phim viễn tưởng hay phim lời nguyền phim 8 đại cao thủ tập 3 một số nhà sản xuất văn học phim crash landing on you tập 1.